![]() I have two sisters and a brother - all of us have degrees in biology and/or chemistry. I attended Pacific Lutheran University for 5 years earning a BS in Biology and Teacher Certification. In 9th grade, my family moved to Anchorage, AK. We have two children and live here in University Place. I was born in central Minnesota but grew up just Northwest of Fargo, ND. At the time, she taught choral music in Charles Wright's Middle and Upper School. In May of 1995, I received my degree and in August of that same year, married Julie Rains. This was one piece of the effort to model the ground migration rates of these heavy metal ions at the Hanford site. The presence of heavy metal contaminants significantly reduced the calcite dissolving rate. ![]() Here I worked on a project utilizing an innovative flow cell system coupled to an atomic force microscope to measure dissolving rates of calcite - a common mineral at the Hanford site. The culminating experience was an 8-week lab experience at the Pacific Northwest National Laboratory. Glenn Crosby, was entirely funded by the National Science Foundation. This innovative program, developed by Dr. In the summer of 1992, I began a Master's program in Chemistry at WSU. From 1988 to 1992 I taught chemistry at Clover Park High School and since then I've been here at CWA. ![]() but not without generating severe cognitive dissonance.I was born in central Minnesota but grew up just Northwest of Fargo, ND. It's hard to imagine doing the signage on a spaceship with Monotype Corsiva or Caslon. Blocky, clean, functional, sans serif only gets you so far when you're trying to understand why. But it's only there because it works so well. Professional designers understand it intuitively, but there's no definitive manual that describes how you get from a shape to an association.Įven with Eurostile - it's been used in science fiction for so long it wins by association. I still don't understand it, and I'm not sure anyone does. I discovered type in the late 70s through these catalogs and I was instantly fascinated by the way the shapes of the letter designs somehow managed to imply mood, context, and meaning. The type catalogs of the day offered a fairly typical selection of the styles most people paid designers instead of trying to DIY it, because place and paste was a difficult job. Graphic design was done with stick-on lettering, not with computers.
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